The Skinny
Dramatic effects in post-production
Making great images sometimes involves more than putting
your subject in a scene with prime-lighting and then pressing
the shutter release. There can be a number of steps and
decisions along the way but arguable one of the most important
choices is what you do with the image after the shoot. Bear
with me for a minute and I'll give a little pre-shoot history
for capturing the two examples I've provided for this article.
The first step was booking the model, talking with her about
what I wanted, and then discussing clothing options. April
(the model) provided makeup and clothes, I provided the
rest. For the set. I decided on using a patch of dirt in
my backyard with an old canvas for a backdrop and an old
wooden box. I wanted to keep it simple and was shooting
for dramatic and contrast of elegant with old. The chair
was almost left out but April happened to see it and mentioned
that we should put it in; the chair turned out to be a valuable
addition. For the lighting set-up, I used mid-day sun which
was my back-light. I metered, then pushed the strobe a stop
and a half over what I was getting for the ambient light.
The main light was a Whitelightning x3200 strobe set to
camera-right at 45 degrees, bare bulb, 6" reflector,
7'
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from the ground and 7' from the model. I used my 35mm digital
with a 24 to 135mm lens to capture images. On a side note,
when I shoot a project such as this, I always shoot in camera
RAW –RAW files may take up more |
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